They made me cry tears I've been holding for long. The way this EP dealed with supressed emotions and coping with the pain of what's unchangeable, unfixable; communicated deeply with me. It's funny I cried laughing in realization of how warm and clever this goodbye was.
It's the best bittersweet ending I could ever wish for the show.
OH GOD the part they tell Jax is doing okay. You can't hit my heart harder than that 😭😭😭
",
- "source_url": "https://mstdn.social/@tenkuma/114661204480015822",
- "site": "Mastodon",
- "media": [],
- "emojis": []
- }
- ]
-}
\ No newline at end of file
diff --git a/.eleventy.js b/.eleventy.js
deleted file mode 100644
index e272860..0000000
--- a/.eleventy.js
+++ /dev/null
@@ -1,171 +0,0 @@
-import fs from "fs";
-import path from "path";
-
-import syntaxHighlight from "@11ty/eleventy-plugin-syntaxhighlight";
-import safeLinks from "@sardine/eleventy-plugin-external-links";
-import pluginGitCommitDate from "eleventy-plugin-git-commit-date";
-import recentChanges from "eleventy-plugin-recent-changes";
-// import Webmentions from "eleventy-plugin-webmentions"; // configure later
-import pluginInlineLinkFavicon from "eleventy-plugin-inline-link-favicon";
-import poison from "eleventy-plugin-poison";
-import mastoarchive from "eleventy-plugin-mastoarchive";
-// import purgeCssPlugin from "eleventy-plugin-purgecss";
-import pluginCleanUrls from "@inframanufaktur/eleventy-plugin-clean-urls";
-// import githubRepos from 'eleventy-plugin-github-repos';
-import readingTime from 'eleventy-plugin-reading-time';
-
-// import i18n from "./_data/i18n.js";
-
-const production = (process.env.GITHUB_ACTIONS || process.env.FORGEJO_ACTIONS || process.env.IS_PRODUCTION);
-console.log("Production:", production ? "true" : "false");
-
-export default function (eleventyConfig) {
- eleventyConfig.setInputDirectory("site");
-
- eleventyConfig.setQuietMode(true);
- eleventyConfig.addPlugin(syntaxHighlight);
- eleventyConfig.addPlugin(safeLinks);
- eleventyConfig.addPlugin(pluginGitCommitDate);
- eleventyConfig.addPlugin(recentChanges, {
- commits: 10,
- });
- eleventyConfig.addPlugin(pluginInlineLinkFavicon);
- eleventyConfig.addPlugin(poison);
- eleventyConfig.addPlugin(mastoarchive, {
- host: "https://mstdn.social",
- userId: "114661188739031987",
- cacheLocation: ".cache/mastodon.json",
- isProduction: production
- });
- // eleventyConfig.addPlugin(purgeCssPlugin, {
- // config: "./purgecss.config.cjs",
- // quiet: false,
- // });
- eleventyConfig.addPlugin(pluginCleanUrls);
- // eleventyConfig.addPlugin(githubRepos, { userAccount: 'adrianvic' });
- eleventyConfig.addPlugin(readingTime);
-
- eleventyConfig.addWatchTarget("./site");
-
-
- eleventyConfig.addCollection("post", function (collectionApi) {
- return collectionApi
- .getFilteredByGlob("./site/posts/*")
- .sort((a, b) => b.date - a.date);
- });
-
- eleventyConfig.addCollection("misc", (api) => api.getFilteredByTag("misc"));
-
- eleventyConfig.addFilter("getTranslation", (page, lang) => {
- const dir = path.dirname(page.inputPath);
- const file = path.join(dir, `${lang}.json`);
-
- if (fs.existsSync(file)) {
- return JSON.parse(fs.readFileSync(file, "utf-8"));
- }
-
- return {};
- });
-
- eleventyConfig.addCollection("88x31", () => {
- return fs
- .readdirSync("static/images/88x31")
- .map((file) => ({
- url: `/static/images/88x31/${file}`,
- fileSlug: file,
- }));
- });
-
- eleventyConfig.addPassthroughCopy("static");
-
- eleventyConfig.addNunjucksFilter(
- "alternateLanguages",
- function (collection, postId, currentLanguageKey) {
- return collection
- .filter(
- (post) =>
- post.data.postId === postId &&
- post.data.langKey !== currentLanguageKey
- )
- .map((post) => ({
- lang: post.data.langKey,
- url: post.url,
- title: post.data.title,
- }));
- }
- );
-
- eleventyConfig.addFilter("absoluteUrl", function (url) {
- const base = "https://adrianvic.github.io";
- const prefix = process.env.GITHUB_ACTIONS ? "" : "/tenkuma/web";
- return base + prefix + url;
- });
-
- eleventyConfig.addFilter("postDate", (dateObj) => {
- if (!dateObj) return "";
- return dateObj.toLocaleString(undefined, {
- year: "numeric",
- month: "numeric",
- day: "numeric",
- timeZone: "America/Sao_Paulo",
- });
- });
-
- eleventyConfig.addNunjucksFilter("smartTitle", function (str) {
- if (!str) return "";
- const smallWords = [
- "a",
- "an",
- "and",
- "at",
- "but",
- "by",
- "for",
- "in",
- "nor",
- "of",
- "on",
- "or",
- "so",
- "the",
- "to",
- "up",
- "yet",
- "e",
- "de",
- "do",
- "da",
- "dos",
- "das",
- "a",
- "o",
- "um",
- "uma",
- "em",
- "por",
- "para",
- "com",
- "no",
- "na",
- "nos",
- ];
-
- return str
- .toLowerCase()
- .split(" ")
- .map((word, i) => {
- if (i === 0) return word.charAt(0).toUpperCase() + word.slice(1);
- return smallWords.includes(word)
- ? word
- : word.charAt(0).toUpperCase() + word.slice(1);
- })
- .join(" ");
- });
-
- return {
- pathPrefix: process.env.GITHUB_ACTIONS ? "" : "/tenkuma/web",
- dir: {
- output: "docs",
- },
- };
-}
diff --git a/.forgejo/workflows/build-forgejo.yml b/.forgejo/workflows/build-forgejo.yml
deleted file mode 100644
index e0b77da..0000000
--- a/.forgejo/workflows/build-forgejo.yml
+++ /dev/null
@@ -1,49 +0,0 @@
-name: Build Eleventy Forgero
-
-on:
- push:
- paths-ignore:
- - '/maintenance/**'
- - '/README.md'
- branches:
- - main
- workflow_dispatch:
- pull_request:
- paths-ignore:
- - '/maintenance/**'
- - '/README.md'
-
-permissions:
- contents: write
-
-jobs:
- build:
- runs-on: arch-linux
-
- strategy:
- matrix:
- node-version: [24.x]
-
- steps:
- - uses: actions/checkout@v4
-
- - name: Use Node.js ${{ matrix.node-version }}
- uses: actions/setup-node@v4
- with:
- node-version: ${{ matrix.node-version }}
-
- - name: Install dependencies & build
- run: |
- npm ci
- npm run build -- --pathprefix="/pages/tenkuma/web"
-
- - name: Deploy to forgejo-pages
- run: |
- git config user.email "adrianvictor+webmaster@disroot.org"
- git config user.name "mareguma"
- git checkout --orphan forgejo-pages
- git rm -rf .
- cp -r docs/* .
- git add .
- git commit -m "Deploy: $(date)"
- git push -f origin forgejo-pages
\ No newline at end of file
diff --git a/.github/workflows/build.yml b/.github/workflows/build.yml
deleted file mode 100644
index b7d21c1..0000000
--- a/.github/workflows/build.yml
+++ /dev/null
@@ -1,46 +0,0 @@
-name: Build Eleventy
-
-on:
- push:
- paths-ignore:
- - 'maintenance/**'
- - 'README.md'
- branches:
- - main
- workflow_dispatch:
- pull_request:
- paths-ignore:
- - 'maintenance/**'
- - 'README.md'
-
-permissions:
- contents: write
-
-jobs:
- build:
- runs-on: ubuntu-latest
-
- strategy:
- matrix:
- node-version: [24.x]
-
- steps:
- - uses: actions/checkout@v4
- with:
- fetch-depth: 0
-
- - name: Use Node.js ${{ matrix.node-version }}
- uses: actions/setup-node@v4
- with:
- node-version: ${{ matrix.node-version }}
-
- - name: Install dependencies & build
- run: |
- npm ci
- npm run build -- --pathprefix=""
-
- - name: Deploy
- uses: peaceiris/actions-gh-pages@v4
- with:
- publish_dir: ./docs
- github_token: ${{ secrets.GITHUB_TOKEN }}
\ No newline at end of file
diff --git a/.gitignore b/.gitignore
deleted file mode 100644
index d1a9dc6..0000000
--- a/.gitignore
+++ /dev/null
@@ -1,3 +0,0 @@
-_site/
-node_modules/
-docs/
\ No newline at end of file
diff --git a/.nojekyll b/.nojekyll
new file mode 100644
index 0000000..e69de29
diff --git a/LICENSE b/LICENSE
deleted file mode 100644
index 261eeb9..0000000
--- a/LICENSE
+++ /dev/null
@@ -1,201 +0,0 @@
- Apache License
- Version 2.0, January 2004
- http://www.apache.org/licenses/
-
- TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
-
- 1. Definitions.
-
- "License" shall mean the terms and conditions for use, reproduction,
- and distribution as defined by Sections 1 through 9 of this document.
-
- "Licensor" shall mean the copyright owner or entity authorized by
- the copyright owner that is granting the License.
-
- "Legal Entity" shall mean the union of the acting entity and all
- other entities that control, are controlled by, or are under common
- control with that entity. For the purposes of this definition,
- "control" means (i) the power, direct or indirect, to cause the
- direction or management of such entity, whether by contract or
- otherwise, or (ii) ownership of fifty percent (50%) or more of the
- outstanding shares, or (iii) beneficial ownership of such entity.
-
- "You" (or "Your") shall mean an individual or Legal Entity
- exercising permissions granted by this License.
-
- "Source" form shall mean the preferred form for making modifications,
- including but not limited to software source code, documentation
- source, and configuration files.
-
- "Object" form shall mean any form resulting from mechanical
- transformation or translation of a Source form, including but
- not limited to compiled object code, generated documentation,
- and conversions to other media types.
-
- "Work" shall mean the work of authorship, whether in Source or
- Object form, made available under the License, as indicated by a
- copyright notice that is included in or attached to the work
- (an example is provided in the Appendix below).
-
- "Derivative Works" shall mean any work, whether in Source or Object
- form, that is based on (or derived from) the Work and for which the
- editorial revisions, annotations, elaborations, or other modifications
- represent, as a whole, an original work of authorship. For the purposes
- of this License, Derivative Works shall not include works that remain
- separable from, or merely link (or bind by name) to the interfaces of,
- the Work and Derivative Works thereof.
-
- "Contribution" shall mean any work of authorship, including
- the original version of the Work and any modifications or additions
- to that Work or Derivative Works thereof, that is intentionally
- submitted to Licensor for inclusion in the Work by the copyright owner
- or by an individual or Legal Entity authorized to submit on behalf of
- the copyright owner. For the purposes of this definition, "submitted"
- means any form of electronic, verbal, or written communication sent
- to the Licensor or its representatives, including but not limited to
- communication on electronic mailing lists, source code control systems,
- and issue tracking systems that are managed by, or on behalf of, the
- Licensor for the purpose of discussing and improving the Work, but
- excluding communication that is conspicuously marked or otherwise
- designated in writing by the copyright owner as "Not a Contribution."
-
- "Contributor" shall mean Licensor and any individual or Legal Entity
- on behalf of whom a Contribution has been received by Licensor and
- subsequently incorporated within the Work.
-
- 2. Grant of Copyright License. Subject to the terms and conditions of
- this License, each Contributor hereby grants to You a perpetual,
- worldwide, non-exclusive, no-charge, royalty-free, irrevocable
- copyright license to reproduce, prepare Derivative Works of,
- publicly display, publicly perform, sublicense, and distribute the
- Work and such Derivative Works in Source or Object form.
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- (except as stated in this section) patent license to make, have made,
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- Work or Derivative Works thereof in any medium, with or without
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- meet the following conditions:
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- (a) You must give any other recipients of the Work or
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- (b) You must cause any modified files to carry prominent notices
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-
- (c) You must retain, in the Source form of any Derivative Works
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- excluding those notices that do not pertain to any part of
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- (d) If the Work includes a "NOTICE" text file as part of its
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- of the following places: within a NOTICE text file distributed
- as part of the Derivative Works; within the Source form or
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- within a display generated by the Derivative Works, if and
- wherever such third-party notices normally appear. The contents
- of the NOTICE file are for informational purposes only and
- do not modify the License. You may add Your own attribution
- notices within Derivative Works that You distribute, alongside
- or as an addendum to the NOTICE text from the Work, provided
- that such additional attribution notices cannot be construed
- as modifying the License.
-
- You may add Your own copyright statement to Your modifications and
- may provide additional or different license terms and conditions
- for use, reproduction, or distribution of Your modifications, or
- for any such Derivative Works as a whole, provided Your use,
- reproduction, and distribution of the Work otherwise complies with
- the conditions stated in this License.
-
- 5. Submission of Contributions. Unless You explicitly state otherwise,
- any Contribution intentionally submitted for inclusion in the Work
- by You to the Licensor shall be under the terms and conditions of
- this License, without any additional terms or conditions.
- Notwithstanding the above, nothing herein shall supersede or modify
- the terms of any separate license agreement you may have executed
- with Licensor regarding such Contributions.
-
- 6. Trademarks. This License does not grant permission to use the trade
- names, trademarks, service marks, or product names of the Licensor,
- except as required for reasonable and customary use in describing the
- origin of the Work and reproducing the content of the NOTICE file.
-
- 7. Disclaimer of Warranty. Unless required by applicable law or
- agreed to in writing, Licensor provides the Work (and each
- Contributor provides its Contributions) on an "AS IS" BASIS,
- WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or
- implied, including, without limitation, any warranties or conditions
- of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A
- PARTICULAR PURPOSE. You are solely responsible for determining the
- appropriateness of using or redistributing the Work and assume any
- risks associated with Your exercise of permissions under this License.
-
- 8. Limitation of Liability. In no event and under no legal theory,
- whether in tort (including negligence), contract, or otherwise,
- unless required by applicable law (such as deliberate and grossly
- negligent acts) or agreed to in writing, shall any Contributor be
- liable to You for damages, including any direct, indirect, special,
- incidental, or consequential damages of any character arising as a
- result of this License or out of the use or inability to use the
- Work (including but not limited to damages for loss of goodwill,
- work stoppage, computer failure or malfunction, or any and all
- other commercial damages or losses), even if such Contributor
- has been advised of the possibility of such damages.
-
- 9. Accepting Warranty or Additional Liability. While redistributing
- the Work or Derivative Works thereof, You may choose to offer,
- and charge a fee for, acceptance of support, warranty, indemnity,
- or other liability obligations and/or rights consistent with this
- License. However, in accepting such obligations, You may act only
- on Your own behalf and on Your sole responsibility, not on behalf
- of any other Contributor, and only if You agree to indemnify,
- defend, and hold each Contributor harmless for any liability
- incurred by, or claims asserted against, such Contributor by reason
- of your accepting any such warranty or additional liability.
-
- END OF TERMS AND CONDITIONS
-
- APPENDIX: How to apply the Apache License to your work.
-
- To apply the Apache License to your work, attach the following
- boilerplate notice, with the fields enclosed by brackets "[]"
- replaced with your own identifying information. (Don't include
- the brackets!) The text should be enclosed in the appropriate
- comment syntax for the file format. We also recommend that a
- file or class name and description of purpose be included on the
- same "printed page" as the copyright notice for easier
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-
- Copyright [yyyy] [name of copyright owner]
-
- Licensed under the Apache License, Version 2.0 (the "License");
- you may not use this file except in compliance with the License.
- You may obtain a copy of the License at
-
- http://www.apache.org/licenses/LICENSE-2.0
-
- Unless required by applicable law or agreed to in writing, software
- distributed under the License is distributed on an "AS IS" BASIS,
- WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
- See the License for the specific language governing permissions and
- limitations under the License.
diff --git a/README.md b/README.md
deleted file mode 100644
index 65eb7c5..0000000
--- a/README.md
+++ /dev/null
@@ -1,26 +0,0 @@
-# Adrian Victor
-[](https://inspiran.beetal-castor.ts.net/git/tenkuma/web/actions?workflow=build-forgejo.yml)
-[](https://github.com/adrianvic/adrianvic.github.io/actions/workflows/build.yml)
-[](https://github.com/adrianvic/adrianvic.github.io/actions/workflows/pages/pages-build-deployment)
-
-My personal static website/blog built with Eleventy.
-
-
-
-## Mirrors
- - Forgejo: https://inspiran.beetal-castor.ts.net/pages/tenkuma/web/
- - GitHub Pages: https://adrianvic.github.io/
- - NeoCities (some features are broken): https://tenkuma.neocities.org/
-
-## Interesting features
- - Multiple pages
- - Text support
- - Interactive
-
-## Features that are not interesting at all
- - Localization support with global/page string table
- - Reusable elements with Eleventy's macros
- - Responsive design for computers, medium sized devices and smartphones
- - Functional without JavaScript
- - Robust blog functionality with support for linking post translations with a common internal ID
- - Some elements have hints while hovering, they update the text of a hint bar on the website header
diff --git a/README/index.html b/README/index.html
new file mode 100644
index 0000000..9f6779f
--- /dev/null
+++ b/README/index.html
@@ -0,0 +1,20 @@
+
Adrian Victor
+
+
+
My personal static website/blog built with Eleventy.
+
+
Interesting features
+
+
Multiple pages
+
Text support
+
Interactive
+
+
Features that are not interesting at all
+
+
Localization support with global/page string table
+
Reusable elements with Eleventy's macros
+
Responsive design for computers, medium sized devices and smartphones
+
Functional without JavaScript
+
Robust blog functionality with support for linking post translations with a common internal ID
+
Some elements have hints while hovering, they update the text of a hint bar on the website header
It seems that you have found my website! Hi, I am Adrian Victor (or tenkuma), a Brazilian guy who likes to mess around with computers, computer programs and enimatpyrtlyhtemids.
+ My name is Adrian Victor, but I go by tenkuma on-line. I'm in high school's last year, also studying computing. My hobbies are music and music production, programming, selfhosting, Linux, and a lot more.
+
+
Tenkuma, or 天くま in japanese, means celestial bear and was given by a friend of mine that I lost contact a long time ago. Sakata is gone, but the name stayed and turned into an integral part of my digital self.
You can message me on my E-mail (adrianvictor@disroot.org) or feel free to get in touch through any of the other places mentioned above. For project-specific subjects, check for the project's contact field or if there's no such field add +projectname to my E-mail address (example: adrianvictor+coolproject@disroot.org).
+
Please, avoid reaching me through ways not mentioned above :)
+
+
+
+
+
My Music
+
I've always loved music, and lately I've been finding music production very interesting. I publish my songs as tenkuma, and have founded an amateur label called Margarina Records with my friends.
I am studying computing at IFC (SC, Brazil) but in my free time I have some projects like computer applications, Minecraft plugins, Minecraft servers, etc... Anything that is public should be in my GitHub profile.
Native music player for Android devices that connects to Jellyfin media servers. The code is based on Gelli's archived repository, which is based on an old version of Phonograph.
This PaperMC plugin integrates with VaultUnlocked to provide a unique, item-based economy system for your Minecraft server. Instead of relying solely on virtual balances, players use in-game items as physical currency, adding a layer of immersion and realism to your economy.
Eye of Nemesis is a plugin that allows server admins to write policies that will deny or allow (black/whitelist) players to do specific things based on the value of nodes.
+ This website is a collection with over 6500 GIF's and PNG's in 88x31 format. In the late 1990 and begin of the 2000's it was very common to use these pictures on your personal website.
+
+ Andrew is a software engineer, a malware enthusiast and most importantly, a weird tall creature. I've grown up with his videos and he's a great inspiration for me.
+
+ With Lucida, you can download music directly from Qobuz, Tidal, Soundcloud, Deezer, Amazon Music, and Yandex Music in high quality for free. No catches, no mandatory ads, no BS. How does it work?
+
+
+
+
+
+
+
+ Adrian Victor - On the Recent Changes to App Distribution Requirements in the Android System by Google.
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
Android is that open-source operating system that works well for users and is loved by developers. Always known for breaking barriers and being open, expandable, versatile, and even friendly to power users–something not every system dares to be (iOS, Windows Phone). For a long time, Android was seen this way compared to its competitors: a breath of fresh air against the abusive practices of companies like Apple. But it seems the Android we've nurtured for two decades no longer fits in the pockets of Google executives; it is too free, creating ethical and technical barriers to the profitable exploitation path adopted by its developer.
@@ -48,4 +134,10 @@ justify our API usage to their satisfaction. As such, the permission is now bloc
We must watch how these policies are applied and how they affect the Android ecosystem. An inevitable consequence is that countless abandoned apps, perfectly functional without the new requirements, will disappear overnight. Not all old software connects to the internet, and not all represents a constant threat. Google is taking away the option for experienced users to take responsibility and say: "I know what I'm doing!", treating us as if they know what's best for everyone.
-
The commercial Android on phones is based on the AOSP, meaning Android's core remains open, and Google hasn't taken that from users yet. I plan to write another post explaining how to regain control of your device through system modifications, from the simplest, safest, most stable methods to advanced approaches, if you feel confident.
\ No newline at end of file
+
The commercial Android on phones is based on the AOSP, meaning Android's core remains open, and Google hasn't taken that from users yet. I plan to write another post explaining how to regain control of your device through system modifications, from the simplest, safest, most stable methods to advanced approaches, if you feel confident.
+
+
+
+
+
+
\ No newline at end of file
diff --git a/site/posts/instalando-fl-studio-no-linux.html b/posts/instalando-fl-studio-no-linux/index.html
similarity index 66%
rename from site/posts/instalando-fl-studio-no-linux.html
rename to posts/instalando-fl-studio-no-linux/index.html
index 1431010..437cd30 100644
--- a/site/posts/instalando-fl-studio-no-linux.html
+++ b/posts/instalando-fl-studio-no-linux/index.html
@@ -1,18 +1,117 @@
----
-postTitle: "Instalando FL Studio no Linux."
-postId: fl-linux-install
-postVideoLink: "https://www.youtube.com/watch?v=6bnNAnSY9Uo"
-postVideoTitle: "Como instalar o FL Studio no Linux?"
-postVideoImage: "/thumbnails/fl_studio_linux.png"
-postVideoWebsite: "YouTube"
-postVideoDuration: "5:53"
-langKey: pt
-layout: post.njk
-date: 2026-04-20
-background: fl_screenshot_no_text.png
-backgroundOpacity: .35
----
-
Prólogo
+
+
+
+
+
+
+ Adrian Victor - Instalando FL Studio no Linux.
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
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Desde que mudei permanentemente para o Linux em 2024, venho me impressionando com a capacidade inabalável da comunidade open-source de trazer a vida no Linux softwares complexos feitos originalmente para Windows. Entretanto, um dos programas amaldiçoados com os mais ímpetos e abstratos erros na velha guarda do Wine é o FL Studio, caracteristica essa que fez com que eu, por muito tempo, achasse que a DAW da Image-Line não iria rodar de jeito nenhum no sistema do penguim.
Acontece que o FL roda no Linux, e roda muito bem, considerando a sua complexidade. Descartando uns problemas visuais, algumas VSTs que simplesmente não rodam e uma gambiarra para rodar plugins 32-bits, a experiência de usar o FL Studio no Linux é bem sólida. Parece que a Valve, Wine e comunidade open-source não estão para brincadeira mesmo.
Antes de ir às formalidades, gostaria de definir o escopo desse tutorial. Faço ele com tudo o que cabe na minha memória recente trabalhando com o FL no Linux. Mas também não é uma postagem estática; se estiver faltando alguma coisa me mande um e-mail e eu atualizo.
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Conclusões
Não sou a pessoa mais apta para dizer até onde a usabilidade da DAW se extende no Linux; não sou nem de longe um usuário avançado do FL. Mas, a título de informação, consegui produzir a faixa Velkommen inteiramente no sistema do penguim e não tenho a intenção de voltar para o Windows.
É mesmo inconveniente quando um plugin ou outro não funciona, quando eu tenho que criar um Fruity Wrapper antes de usar um plugin 32bits, ou quando eu penso que talvez a DAW possa performar um pouco melhor nativamente no Windows. Porém, para mim, é um preço muito justo a se pagar para misturar nas minhas músicas um pouco desse suco de ideologia que é me desafiar a não usar o sistema da Microsoft.
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Espero que você também encontre esse conforto—não na conveniência, mas em desafiar o molde com intenção. Excentricidade digna de um artista.
\ No newline at end of file
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Espero que você também encontre esse conforto—não na conveniência, mas em desafiar o molde com intenção. Excentricidade digna de um artista.
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diff --git a/site/posts/installing-fl-studio-on-linux.html b/posts/installing-fl-studio-on-linux/index.html
similarity index 68%
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+++ b/posts/installing-fl-studio-on-linux/index.html
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----
-postTitle: "Installing FL Studio on linux."
-postId: fl-linux-install
-langKey: en
-layout: post.njk
-date: 2026-04-20
-background: fl_screenshot_no_text.png
-backgroundOpacity: .35
----
-
Prologue
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+ Adrian Victor - Installing FL Studio on linux.
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Since I permanently moved to Linux in 2024, I have been impressed by the unwavering ability of the open-source community to bring to life in Linux complex software originally made for Windows. However, one of the programs cursed with the most stubborn and abstract errors in the old guard of Wine is FL Studio, a characteristic that made me, for a long time, think that Image-Line's DAW would not run at all on the penguin's system.
It turns out that FL runs on Linux, and runs very well, considering its complexity. Disregarding some visual problems, some VSTs that simply don't run, and a workaround to run 32-bit plugins, the experience of using FL Studio on Linux is quite solid. It seems that Valve, Wine, and the open-source community are not messing around.
Before getting into the formalities, I would like to define the scope of this tutorial. I'm making it with everything that fits in my recent memory working with FL on Linux. But it's also not a static post; if something is missing, send me an email and I'll update it.
@@ -59,4 +145,10 @@ backgroundOpacity: .35
Conclusions
I'm not the most apt person to say how far the DAW's usability extends on Linux; I'm far from an advanced FL user. But, for your information, I was able to produce the track Velkommen entirely on the penguin's system and have no intention of going back to Windows.
It's really inconvenient when one plugin or another doesn't work, when I have to create a Fruity Wrapper before using a 32-bit plugin, or when I think that maybe the DAW could perform a little better natively on Windows. However, for me, it's a very fair price to pay to mix into my music a little bit of that ideology juice that is challenging myself not to use Microsoft's system.
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I hope you also find that comfort—not in convenience, but in challenging the mold with intention. Eccentricity worthy of an artist.
\ No newline at end of file
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I hope you also find that comfort—not in convenience, but in challenging the mold with intention. Eccentricity worthy of an artist.
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\ No newline at end of file
diff --git a/site/posts/verificacao-de-desenvolvedor-no-android.html b/posts/verificacao-de-desenvolvedor-no-android/index.html
similarity index 70%
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--- a/site/posts/verificacao-de-desenvolvedor-no-android.html
+++ b/posts/verificacao-de-desenvolvedor-no-android/index.html
@@ -1,13 +1,99 @@
----
-postTitle: "Sobre as recentes mudanças nos requisitos de distribuição de apps no sistema Android feitas pela Google."
-postId: developer-verification
-layout: post.njk
-date: 2025-08-30
-background: android-jellybean.jpg
-backgroundOpacity: .35
-langKey: pt
----
-
Recapitulando
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+ Adrian Victor - Sobre as recentes mudanças nos requisitos de distribuição de apps no sistema Android feitas pela Google.
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Android é aquele sistema operacional open-source que funciona bem para os usuários, e que os desenvolvedores amam. Sempre conhecido por quebrar barreiras e por ser aberto, expansível, versátil e até amigável com os mais nerds, coisa que nem todo sistema tem a cara e coragem de ser (iOS, Windows Phone). É assim que, por muito tempo, o Android foi visto em relação aos seus concorrentes: Um suspiro de ar puro em relação às práticas abusivas de empresas como a Apple. Mas parece que o Android que cultivamos por duas décadas não cabe mais no bolso dos executivos da Google, é livre demais, e isso criou barreiras éticas e técnicas no lucrativo caminho de exploração adotado pela sua desenvolvedora.
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Devemos ficar atentos a como essas novas políticas vão ser aplicadas, e como as mesmas afetarão o ecossistema do Android. Uma consequência inevitável das mudanças é que um número inestimável de aplicações abandonadas pelos desenvolvedores, que, se não fosse pelos novos requisitos, seriam perfeitamente funcionais serão perdidas de um dia para o outro. Nem todo software antigo se conecta à internet, nem todo software antigo representa um perigo constante ao usuário. A Google está tirando do usuário experiente a opção de assumir a responsabilidade e dizer: "Eu sei o que estou fazendo!", nos segurando como crianças, como se soubessem o que é melhor para todos.
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O Android comercializado nos celulares é baseado no AOSP, o que significa que a força vital do Android é aberta, e isso a Google ainda não tirou dos usuários. Portanto pretendo fazer um outro post explicando como você pode recuperar o controle do seu dispositivo por meio de modificações no sistema, da forma mais simples, segura e estável possível, até as formas mais avançadas, caso você se sinta confiante.
\ No newline at end of file
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O Android comercializado nos celulares é baseado no AOSP, o que significa que a força vital do Android é aberta, e isso a Google ainda não tirou dos usuários. Portanto pretendo fazer um outro post explicando como você pode recuperar o controle do seu dispositivo por meio de modificações no sistema, da forma mais simples, segura e estável possível, até as formas mais avançadas, caso você se sinta confiante.
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diff --git a/pt/blog/index.html b/pt/blog/index.html
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index 0000000..41dbc34
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+ Adrian Victor
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Parece que você encontrou meu website! Olá, sou Adrian Victor (ou tenkuma), um cara brasileiro que gosta de mexer com computadores, programas de computadores e enimatpirtlitemídios.
+ Meu nome é Adrian Victor, mas on-line eu uso o nickname tenkuma. Estou no último ano do ensino médio e estudo informática. Meus hobbies são escutar e produzir música, programação, selfhosting, Linux, e muito mais.
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Tenkuma, ou 天くま em japonês, significa urso celestial e foi um nome dado a mim por um amigo que eu já perdi contato há muito tempo. Sakata se foi, mas o nome ficou e se tornou parte integral da personalidade do meu eu digital até hoje.
Você pode enviar um correio eletrônico para (adrianvictor@disroot.org) ou me contactar por qualquer outro meio citado acima. Para assuntos relativos a projetos específicos, verifique o campo de contato do projeto, caso não haja um adicione +nomedoprojeto ao meu endereço de E-mail (exemplo: adrianvictor+projetolegal@disroot.org).
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Música
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Sempre amei música, e tenho achado produção musical algo muito interessante ultimamente. Publico minhas músicas como tenkuma, junto com meus amigos formei a Margarina Records—uma label amadora.
+
Você pode conferir minhas músicas mais recentes no meu perfil do Genius.
Estou estudando informática no IFC (SC, Brazil) mas no meu tempo livre tenho projetos como programas de computador, plugins para Minecraft, servidores Minecraft, etc... Todos meus projetos públicos estão disponíveis no meu perfil do GitHub.
Reprodutor de música nativo para dispositivos Android que se conecta a servidores de mídia Jellyfin. O código é baseado no repositório arquivado do Gelli, que por sua vez se baseia em uma versão antiga do Phonograph.
Este plugin PaperMC integra-se ao VaultUnlocked para fornecer um sistema de economia único baseado em itens para o seu servidor Minecraft. Em vez de depender apenas de saldos virtuais, os jogadores usam itens do jogo como moeda física, adicionando uma camada de imersão e realismo à sua economia.
Eye of Nemesis é um plugin que permite aos administradores de servidores escrever políticas que negarão ou permitirão (lista negra/branca) que os jogadores façam coisas específicas com base no valor dos nós.
+ Essa é uma coleção de mais de 6500 GIFs e PNGs no formato 88x31. No final dos anos 1990 e começo dos 2000 era muito comum usar essas imagens no seu site pessoal.
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+ Andrew é um engenheiro de software, entusiasta de malware e, mais importante, uma estranha e alta criatura. Cresci com os seus videos e ele é uma grande inspiração para mim.
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+ Com Lucida, você pode baixar musica diretamente de Qobuz, Tidal, Soundcloud, Deezer, Amazon Music, e Yandex Music em alta qualidade de graça. Sem pegadinhas, sem anúncios obrigatórios, sem enrolação. Como que funciona?
+
A API do Prof. Rodrigo Ribeiro permite que o client envie uma imagem, assim retornando o resultado de uma leitura óptica realizada sobre a mesma com inteligência artificial. Esse client lê o resultado e o mostra de forma simples para o usuário.
@@ -128,4 +199,8 @@ pageTitle: "Demonstração da API do Prof. Rodrigo Ribeiro"
apiDiv.classList.toggle('selected');
loginDiv.classList.toggle('selected');
}
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\ No newline at end of file
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+
-
-## Mirrors
- - Forgejo: https://inspiran.beetal-castor.ts.net/pages/tenkuma/web/
- - GitHub Pages: https://adrianvic.github.io/
- - NeoCities (some features are broken): https://tenkuma.neocities.org/
-
-## Interesting features
- - Multiple pages
- - Text support
- - Interactive
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-## Features that are not interesting at all
- - Localization support with global/page string table
- - Reusable elements with Eleventy's macros
- - Responsive design for computers, medium sized devices and smartphones
- - Functional without JavaScript
- - Robust blog functionality with support for linking post translations with a common internal ID
- - Some elements have hints while hovering, they update the text of a hint bar on the website header
diff --git a/README/index.html b/README/index.html
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